The above inscription appears on the cornerstone of a handsome
little synagogue lovingly maintained by Leon Toubin, grandson
of a founding member. Fully stocked with Siddurim and Chumashim,
chairs in place, parochet richly colored, period lights sparkling,
and newly installed air-conditioning ready to be switched on,
this Shul has seen few minyans since WWII.
The white clapboard structure with its pointed arched windows
closely resembles the small country churches in the region. But
this was and remains a staunchly Orthodox Shul. The projecting
structure on the near side is the Mikveh (ritual bath) virtually
restored from the existing foundation and Leon Toubin's recollection.
Inside the Aron Kodesh can be seen on the eastern wall and in
the center the Bimah where the Torah was read.
The foyer is separated from the main room by a gracefully curved
wall, which becomes the balcony rail for the women' gallery above.
The stair, like many other details in a building fashioned without
conscious artifice by local carpenters, has a Shaker simplicity.
Paper-cut and water-colored Mizrachs made by the rebbetzin
sometime before WWII. These and others of Torah sages and similar
Jewish themes and subjects hang throughout the shul.
Simon owned this theater and a celebrated regional Vaudeville house up the street. He was also one of the principle investors in the Gulf, Colorado, and Santa Fe railroad (later just Santa Fe) which brought Jewish immigrants up from Galveston through the Brazos River valley to Bryan and out to San Angelo.